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Convert Opus to AMR

Convert Your Opus to AMR documents with ease

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How to convert Opus to AMR

Step 1: Supply your Opus files using the button above or by haul and lay.

Step 2: Click the 'Convert' button to start the conversion.

Step 3: Get your converted AMR files.


Opus to AMR Conversion FAQ

Is the OPUS to AMR conversion reversible?
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You can convert the AMR back to OPUS on this site. If either format involved is lossy, the round-trip is not bit-perfect even though it is visually or audibly close.
Default settings target broadcast / web quality — visually identical to the source for most viewers. For archival use, pick the highest quality option in the converter settings.
Yes, and it is worth planning around. Both formats are lossy, so the AMR encoder is working from audio that has already been through one psychoacoustic pass, and its own decisions compound the first set. At 192 kbps or above the result is still transparent for most listening. If you have a lossless master anywhere, encoding the AMR from that instead avoids the double pass entirely. Opus scales from 6 kbps mono speech to 510 kbps stereo music in the same bitstream and switches modes automatically. AMR is a narrowband speech codec running between 4.75 and 12.2 kbps, modelling the human vocal tract rather than the full audio spectrum.
Not intact. OPUS carries a proper metadata block, but AMR has no standard place for artist, album, track number or cover art, so tags are dropped rather than mangled. Keep the OPUS as the tagged copy, or re-tag afterwards with a tool like Mp3tag or MusicBrainz Picard. AMR destroys music: its 8 kHz bandwidth removes everything above telephone frequencies, and no amount of re-encoding brings it back.
A bare run of encoded audio frames with no container wrapped around them. That is why two AMR files can usually be joined by simply putting one after the other, and equally why everything beyond the audio itself — a length, a seek index, cover art — has to be bolted on as a convention rather than being part of the format, so a player often has to read the whole file to work out how long it is. It is about the simplest thing that can be called an audio file, which is exactly why it turns up inside other containers more often than on its own.
From the web, and mostly from software rather than from hardware. OPUS was designed for streaming and for open-source tool chains, so it turns up in game assets, browser recordings, podcast pipelines and anything built by people who did not want a licensing conversation. What it does not turn up in is consumer electronics, which is the usual reason somebody needs to convert one at all. Opus is an IETF standard from 2012 that merged Skype’s SILK speech codec with Xiph’s CELT music codec into one design.
Yes, without conditions worth worrying about. The specification is public, anyone can implement an encoder or decoder without asking or paying, and nobody can change those terms later — which is why it turns up in open-source tooling, in game engines and anywhere a licence negotiation would have killed the project. Converting away from it does not undo that; the files you already have stay exactly as usable as they were.
Because one side of it is a speech codec rather than a music codec. It models the human vocal tract and discards everything outside telephone bandwidth, which is fine for a voice memo and destructive for anything with instruments in it. Converting away from it cannot restore the missing frequencies — they were never encoded in the first place. Opus is almost never supported by standalone hardware — assume software playback only, and expect car stereos to ignore it.
Free conversions have a size limit per file, set by the type of file, and the page tells you when a file is over it. A paid plan removes that limit, so much larger files can be converted.
Several files in one job need a paid plan. Free use is one file per conversion, one conversion an hour. On a paid plan you can add several files to one job, then download each result on its own or all of them in one ZIP.
Uploaded files are processed on our own conversion servers, nobody looks at them, and they are not shared. The upload and the converted file are both deleted automatically about 24 hours after the conversion, which leaves time to download the result. See /privacy/ for the full policy.
AMR plays in most music players, browsers, and media libraries. iTunes / Apple Music, VLC, Foobar2000, and phone media apps handle it natively.

Opus

Opus is the modern open audio codec that beats MP3 and AAC at low bitrates, which is why voice chat and streaming use it.

AMR

AMR is a speech codec tuned for voice recordings and phone calls, which is why music sounds poor in it.


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