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Convert WMA to AIFF

Convert Your WMA to AIFF documents with ease

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How to convert WMA to AIFF

Step 1: Supply your WMA files using the button above or by haul and lay.

Step 2: Click the 'Convert' button to start the conversion.

Step 3: Get your converted AIFF files.


WMA to AIFF Conversion FAQ

What does the WMA to AIFF audio converter do?
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WMA is already lossy, so converting to AIFF preserves the existing audio without further degradation, but it cannot recover detail lost in the original encode. AIFF is right if you plan to edit and resave without compounding compression artifacts.
By default yes — stereo stays stereo, the original sample rate (44.1 kHz, 48 kHz, etc.) is carried through to the AIFF output.
Yes — lossless audio is typically 5-10x larger than lossy audio at perceptually equivalent quality. Plan for ~10 MB per minute for AIFF versus ~1 MB per minute for high-bitrate WMA.
Yes — lossless containers store every byte. Expect the AIFF to be 3-8x the size of the WMA. The benefit is no further quality loss on editing or re-encoding.
No, and it is worth being blunt: nothing can. The WMA already discarded detail during its original encode, and wrapping what remains in a lossless AIFF preserves exactly that — no more. The file gets several times larger and sounds identical. It is still the right move before editing, because AIFF will not add a second generation of artefacts when you export. AIFF is the studio interchange format on macOS, handles metadata better than plain WAV, and imports into Logic and Pro Tools instantly. WMA is unsupported almost everywhere outside Windows, and older WMA files may carry DRM that blocks conversion entirely.
A container with the audio inside it, rather than the audio on its own. That extra layer is where the length, the seek index and whatever metadata the format defines are kept, so a player knows how long an AIFF is before decoding a single frame instead of scanning the whole file to find out. It also means the extension does not always settle what is inside: several containers of this kind are allowed to hold more than one sort of audio, which is why two AIFF files can behave differently while looking identical from outside. AIFF stores uncompressed big-endian PCM — the Apple-side equivalent of WAV, with the same bit-for-bit fidelity.
Only in that the encode already happened once. A WMA ripped from a disc was compressed at whatever bitrate the ripper was set to years ago, and that is the ceiling on everything downstream — converting cannot recover what the ripper discarded. If the discs are still on a shelf, re-ripping to a lossless format and encoding from that gives a genuinely better result than any conversion of the existing files. WMA is Windows Media Audio, Microsoft’s answer to MP3, launched in 1999 and bundled with every Windows install of that era.
DRM. A subset of WMA files are encrypted by the store or the software that issued them, and encrypted audio cannot be decoded by any converter. Anything you ripped yourself, recorded, or bought without protection converts normally; a licensed purchase will not.
Not one you have to think about. The codec is covered by patent pools, and the licensing is settled by whoever ships the decoder — the phone, the browser, the operating system — long before a file reaches you. It is why the format is everywhere in hardware, and why royalty-free alternatives were built at all. It changes nothing about converting a file you already have, and it is only a live question if you are shipping an encoder yourself.
For a personal library, yes; for anything you are handing to somebody else, think twice. AIFF is being quietly succeeded rather than switched off — everything that plays it today will carry on playing it — but new encoders and new devices increasingly default to its replacement, which does the same job at least as well. If the file only has to open on your own machines, it is fine. If it has to open on a device bought in five years, pick the newer one. AIFF is as large as WAV with worse support outside the Apple world, so it is a poor choice for distribution.
Anonymous uploads are capped at a generous default; signed-in free accounts get a higher cap, and Pro accounts have no per-file limit. Browser memory is usually the practical constraint long before our server-side limits kick in.
Yes. Drop or pick multiple WMA files in one upload — the converter processes them in parallel and returns a ZIP of the AIFF results. There is no need to repeat the upload step per file.

WMA

WMA is Microsoft audio from the Windows Media era, still readable everywhere but long since displaced by AAC and MP3.

AIFF

AIFF stores uncompressed audio like WAV but originated on the Mac, and it carries richer metadata tags.


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