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Convert WMA to AMR

Convert Your WMA to AMR documents with ease

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How to convert WMA to AMR

Step 1: Supply your WMA files using the button above or by haul and lay.

Step 2: Click the 'Convert' button to start the conversion.

Step 3: Get your converted AMR files.


WMA to AMR Conversion FAQ

Is the WMA to AMR conversion reversible?
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You can convert the AMR back to WMA on this site. If either format involved is lossy, the round-trip is not bit-perfect even though it is visually or audibly close.
Default settings target broadcast / web quality — visually identical to the source for most viewers. For archival use, pick the highest quality option in the converter settings.
Yes, and it is worth planning around. Both formats are lossy, so the AMR encoder is working from audio that has already been through one psychoacoustic pass, and its own decisions compound the first set. At 192 kbps or above the result is still transparent for most listening. If you have a lossless master anywhere, encoding the AMR from that instead avoids the double pass entirely. WMA is lossy by default, in an ASF container, with lossless and voice-optimised variants that are rarely encountered. AMR is a narrowband speech codec running between 4.75 and 12.2 kbps, modelling the human vocal tract rather than the full audio spectrum.
Not intact. WMA carries a proper metadata block, but AMR has no standard place for artist, album, track number or cover art, so tags are dropped rather than mangled. Keep the WMA as the tagged copy, or re-tag afterwards with a tool like Mp3tag or MusicBrainz Picard. AMR destroys music: its 8 kHz bandwidth removes everything above telephone frequencies, and no amount of re-encoding brings it back.
A bare run of encoded audio frames with no container wrapped around them. That is why two AMR files can usually be joined by simply putting one after the other, and equally why everything beyond the audio itself — a length, a seek index, cover art — has to be bolted on as a convention rather than being part of the format, so a player often has to read the whole file to work out how long it is. It is about the simplest thing that can be called an audio file, which is exactly why it turns up inside other containers more often than on its own.
DRM. A subset of WMA files are encrypted by the store or the software that issued them, and encrypted audio cannot be decoded by any converter. Anything you ripped yourself, recorded, or bought without protection converts normally; a licensed purchase will not. WMA is unsupported almost everywhere outside Windows, and older WMA files may carry DRM that blocks conversion entirely.
Not one you have to think about. The codec is covered by patent pools, and the licensing is settled by whoever ships the decoder — the phone, the browser, the operating system — long before a file reaches you. It is why the format is everywhere in hardware, and why royalty-free alternatives were built at all. It changes nothing about converting a file you already have, and it is only a live question if you are shipping an encoder yourself.
Because one side of it is a speech codec rather than a music codec. It models the human vocal tract and discards everything outside telephone bandwidth, which is fine for a voice memo and destructive for anything with instruments in it. Converting away from it cannot restore the missing frequencies — they were never encoded in the first place.
Free conversions have a size limit per file, set by the type of file, and the page tells you when a file is over it. A paid plan removes that limit, so much larger files can be converted.
Several files in one job need a paid plan. Free use is one file per conversion, one conversion an hour. On a paid plan you can add several files to one job, then download each result on its own or all of them in one ZIP.
Uploaded files are processed on our own conversion servers, nobody looks at them, and they are not shared. The upload and the converted file are both deleted automatically about 24 hours after the conversion, which leaves time to download the result. See /privacy/ for the full policy.
AMR plays in most music players, browsers, and media libraries. iTunes / Apple Music, VLC, Foobar2000, and phone media apps handle it natively.

WMA

WMA is Microsoft audio from the Windows Media era, still readable everywhere but long since displaced by AAC and MP3.

AMR

AMR is a speech codec tuned for voice recordings and phone calls, which is why music sounds poor in it.


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