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Convert WMA to AMR

Convert Your WMA to AMR documents with ease

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How to convert WMA to AMR

Step 1: Supply your WMA files using the button above or by haul and lay.

Step 2: Click the 'Convert' button to start the conversion.

Step 3: Get your converted AMR files.


WMA to AMR Conversion FAQ

What does the WMA to AMR audio converter do?
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It re-encodes a WMA audio file as AMR. Sample rate and channel count are preserved; the difference is the codec and container.
By default yes — stereo stays stereo, the original sample rate (44.1 kHz, 48 kHz, etc.) is carried through to the AMR output.
You can convert the AMR back to WMA on this site. If either format involved is lossy, the round-trip is not bit-perfect even though it is visually or audibly close.
Default settings target broadcast / web quality — visually identical to the source for most viewers. For archival use, pick the highest quality option in the converter settings.
Yes, and it is worth planning around. Both formats are lossy, so the AMR encoder is working from audio that has already been through one psychoacoustic pass, and its own decisions compound the first set. At 192 kbps or above the result is still transparent for most listening. If you have a lossless master anywhere, encoding the AMR from that instead avoids the double pass entirely. WMA is lossy by default, in an ASF container, with lossless and voice-optimised variants that are rarely encountered. AMR is a narrowband speech codec running between 4.75 and 12.2 kbps, modelling the human vocal tract rather than the full audio spectrum.
Not intact. WMA carries a proper metadata block, but AMR has no standard place for artist, album, track number or cover art, so tags are dropped rather than mangled. Keep the WMA as the tagged copy, or re-tag afterwards with a tool like Mp3tag or MusicBrainz Picard. AMR destroys music: its 8 kHz bandwidth removes everything above telephone frequencies, and no amount of re-encoding brings it back.
A bare run of encoded audio frames with no container wrapped around them. That is why two AMR files can usually be joined by simply putting one after the other, and equally why everything beyond the audio itself — a length, a seek index, cover art — has to be bolted on as a convention rather than being part of the format, so a player often has to read the whole file to work out how long it is. It is about the simplest thing that can be called an audio file, which is exactly why it turns up inside other containers more often than on its own.
It is folded down to stereo, because AMR has no practical multichannel mode. The downmix uses the standard coefficients so centre-channel dialogue stays clear and the surrounds are mixed in at reduced level. Anything that depended on discrete channel placement is gone once that happens.
Only in that the encode already happened once. A WMA ripped from a disc was compressed at whatever bitrate the ripper was set to years ago, and that is the ceiling on everything downstream — converting cannot recover what the ripper discarded. If the discs are still on a shelf, re-ripping to a lossless format and encoding from that gives a genuinely better result than any conversion of the existing files. WMA is Windows Media Audio, Microsoft’s answer to MP3, launched in 1999 and bundled with every Windows install of that era.
DRM. A subset of WMA files are encrypted by the store or the software that issued them, and encrypted audio cannot be decoded by any converter. Anything you ripped yourself, recorded, or bought without protection converts normally; a licensed purchase will not. WMA is unsupported almost everywhere outside Windows, and older WMA files may carry DRM that blocks conversion entirely.
Anonymous uploads are capped at a generous default; signed-in free accounts get a higher cap, and Pro accounts have no per-file limit. Browser memory is usually the practical constraint long before our server-side limits kick in.
Yes. Drop or pick multiple WMA files in one upload — the converter processes them in parallel and returns a ZIP of the AMR results. There is no need to repeat the upload step per file.

WMA

WMA is Microsoft audio from the Windows Media era, still readable everywhere but long since displaced by AAC and MP3.

AMR

AMR is a speech codec tuned for voice recordings and phone calls, which is why music sounds poor in it.


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